1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.  Related Paintings of Jan Van Eyck :. | Johannes of the evangelist | A Man in a Turban 3 | Details of virgin and child,with saints and donor | The Ghent Altar | Cardinal Nicola Albergati (mk45) |
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Sylvestro Lega
1826-1895 Italian Sylvestro Lega Gallery
Lucien Levy-Dhurmer
French Art Nouveau Painter, 1865-1953,was a French Symbolist/Art Nouveau painter and potter. He was born Lucien Levy to a Jewish family in Algiers. In 1879 he began studying drawing and sculpture in Paris. In 1887 Levy began making his living in southern France, overseeing the decoration of ceramics. His own tastes in pottery decoration were influenced by Islamic Art. In 1895 he left for Paris to begin a career in painting; around this time he visited Italy and was further influenced by art of the Renaissance. In 1896 he exhibited his first pastels and paintings under the name Lucien Levy-Dhurmer; he'd added the last two syllables of his mother's maiden name (Goldhurmer), likely to differentiate himself from other people named Levy. His paintings soon became popular with the public and among fellow artists as well. He earned high praise for the academic attention to detail with which he captured figures lost in a Pre-Raphaelite haze of melancholy, contrasted with bright Impressionist colouration. His portrait of writer Georges Rodenbach is perhaps the most striking example of this strange and extraordinary synergy.
Jean-Joseph Benjamin-Constant
(also known as Benjamin Constant), born Jean-Joseph Constant (10 June 1845 - 26 May 1902), was a French painter and etcher best known for his Oriental subjects and portraits. Benjamin-Constant was born in Paris. He studied at the Ecole des Beaux-Arts in Paris, where he was a pupil of Alexandre Cabanel. A journey to Morocco in 1872 strongly influenced his early artistic development and lead him to produce Romantic scenes under the spell of Orientalism. Among his noted works in this vein are Last Rebels, Justice in the Harem (both in the Luxembourg Gallery), Les Cherifas, and Moroccan Prisoners (Bordeaux). His large canvas, The Entrance of Mahomet II into Constantinople (Toulouse Museum), received a medal in 1876. After 1880, he changed his manner, devoting himself to mural decorations and to portraits. Prominent examples include the great plafond in the Hôtel de Ville, Paris, entitled Paris Convening the World; his paintings in the New Sorbonne, representing Literature, The Sciences, and the Academy of Paris; and the plafond of the Opera Comique theatre. He was distinguished as a portrait painter, especially in England, where he was a favorite of the aristocracy. His portrait Mons fils Andra (Luxembourg) was awarded a medal of honor at the Salon in 1896. Benjamin-Constant painted Pope Leo XIII, Queen Alexandra of England (1901), Lord John Lumley-Savile, and Henri Blowitz (1902). He was made a member of the Institute in 1893, and was a commander of the Legion of Honor. He visited the United States several times, and painted a number of portraits. The Metropolitan Museum of Art in New York owns a large mural decoration by Benjamin-Constant entitled Justinian in Council.